NihilismAbsurdism.Blogspot.com

"The Absurd" refers to the conflict between the human tendency to seek inherent meaning in life and the human inability to find any.

Nihilism : from the Latin nihil, nothing) is the philosophical doctrine suggesting the negation of one or more putatively meaningful aspects of life

Wednesday, December 22, 2010

Infinitely Demanding

Infinitely demanding

Absolute knowledge or a direct ontology (is the philosophical study of the nature of being, existence or reality as such, as well as the basic categories of being and their relations) of things as they are is decisively the ken of the fallible finite creatures like us. Our culture is endlessly beset with Promethean myths of the overcoming of the human condition whether through fantasy or AI contemporary delusions bout cloning, robotics and generic manipulation or simply through cryogenics and cosmetic surgery.

Stoicism founded by Zeno and was concerned by the relationship between cosmic determinism and human freedom. They presented their philosophy as a way of life, not by what a person said but how he behaved. The stoics provided a unified account of the world consisting if logic non dualistic physics and naturalistic ethics. Ethics was the main focus of human knowledge. Stoicism teaches self control and fortitude as a means of overcoming destructive emotions.

Nihilism is the breakdown of the order of meaning where all that we previously imagined as a divine has become meaningless. Nihilism is this declaration of meaningless a sense of indifference, directionless or at worst despair that can flood into all areas of life. The philosophical task set by Nietzsche and followed by many in the Continental tradition is how to respond to nihilism or better resist it, The basis of meaning has become meaningless. Our devalued values require what Nietzsche calls re-evaluation. The difficulty here consists in thinking through the question of meaning without bewitching ourselves with new and exotic forms of meaning with imported brands of existential balm. Politically there is something lacking in this violently unjust world and the politics of fear. What might be justice in a violently unjust world? This question of justice provokes the need for an ethic or normative principle that might enable us to face down the present political situation. We need an offer of a theory of ethical experience and subjectivity that will lead to an infinity demanding ethics of commitment and politics of resistance.

Nihilism- passive –looks at the world from a certain distance and finds it meaningless. He is scornful of the pretensions of liberal humanism with its metaphysical faith in progress improvement and the perfectibility of humankind, beliefs that he claims are held with the same dogmatic assurance as Christianity was held in Europe until the late 18th C. The passive nihilist concludes that we are simply animals and rather nasty aggressive primates at that what we might call homo rapines .Rather than acting in the world and trying to transform it the passive nihilist simply focuses on himself and his particular pleasures and projects for perfecting himself whether through discovering the inner child manipulating pyramids writing pessimistic sounding literary essays taking up yoga bird watching botany was the case with the aged Rousseau. In the face of increasing brutality of reality the passive nihilist tries to achieve a mystical stillness calm contemplation: European Buddhism. In a world that is all to rapidly blowing itself to bits the passive nihilist closed his eyes and makes himself into an island. The active nihilist also finds everything meaningless but instead of sitting back and contemplating he tries to destroy this world and bring another into being.

The history of active nihilism is fascinating and a consideration of it would take us back into various utopian radical political and even terrorist groups. We might begin Fourier’s utopian philansteries of free love and leisure before moving on to late 19th century anarchism in Russia and elsewhere through the Promethean activism of Lenin’s Bolshevism, Marinetti’s Futurism , Maoism, DeBord’s situationism, the Red Army Fraction in Germany , the Red Brigades in Italy the Angry Brigade in England, the Weather Underground in the U.S.A without forgetting the sweet naivety of the Symbionese Liberation army. At present the quintessence of active nihilism is Al-Qaeda, this covert and utterly postmodern rhizomatic quasi-corporation outside of any state control. Al-Qaeda uses the technological resources of capitalist globalization – elaborate and coded forms of communication the speed and fluidity of financial transactions and obviously transportation – against that globalization.

The sad truth is that this aim they have has been hugely successful. The legitimating logic of al-Qaeda is that the modern world the world of capitalism, liberal democracy and secular humanism is meaningless and that the only way to remake meaning is through the acts of spectacular destruction, acts which it is no exaggeration to say have redefined the contemporary political situation and made the pre 911 world seem remote and oddly quaint. Although they are opposed both active and passive nihilism are Siamese twins of sorts as they both agree on the meaninglessness of reality or rather its essential unreality which inspires either passive withdrawal or violent destruction.

We have to think through and think out of the situation in which we find ourselves. We have to resist and reject the temptation of nihilism and face up to to the hard reality of the world. The violent injustice here and around the world ; it shows growing social and economic inequities here and around the world ; it shows growing that the difference between what goes on here and around the world is increasingly fatuous. It shows the population of the well fed west governed by fear of outsiders whose current names are ‘terrorists’ ,‘immigrant’, ‘refugee’ or asylum seeker. It shows populations turning toward some reactionary and xenophobic conception of their purported identity. Xenophobia is an irrational, deep-rooted fear of or antipathy towards foreigners. It shows that because of an excessive diet of sleaze, deception, complacency, and corruption liberal democracy is not in the best of health. In total it shows massive political disappointment.

The first truth of Marx’s work namely the analysis of capitalism an analysis that is truly prophetic where the economic form of life that began in some remote rain soaked corner of north-western Europe, in Holland, England and some of its former colonies has through the process that we all too easily call globalization spread its movement of expropriation all across the world. In the opening pages of the Manifesto of the Communist Party Marx and Engels write of the revolutionary role of the bourgeoisie. The bourgeoisie are the outcome of the revolutions of the 1600’s in England, the Dutch Republic and the somewhat retarded 1789 revolution in France, and they play a revolutionary role in history. In stripping the veneer of naturalness from all social relations including family relations and the formerly prized professions and hierarchies of feudal society in making the experience of labour unbearable and indeed crippling through industrial organization the bourgeoisie reveal the contingency of social life and what we might call the historicity: the possibility that the particular set of social arrangements through which we are living are the outcome of transformative social process and are therefore capable of being transformed. Through the extraordinary energy that they expended on the overthrow of feudalism in its various forms the bourgeoisie unwittingly reveals the political character of social life. In reducing those social relations to essentially monetary relations, in creating a world market based on the abstract universality of money and the experience of self estrangement and alienation the bourgeoisie is the condition of possibility for anti-bourgeoisie political struggles.

“Where it has come to power the bourgeoisie has obliterated all relations that were feudal, patriarchal, idyllic." It has pitilessly severed the motley bonds of feudalism that joined men to their natural superiors and has left intact no other bond between one man and another than the naked self-interest, unfeeling ‘hard’ cash. It has resolved personal worth into exchange value, ad in place of countless attested and won freedoms it has established a single freedom –conscienceless free trade. In a word for exploitation cloaked by religious and political illusions it has substituted unashamed direct brutal exploitation. Ours is a universe where human relations have been reduced to naked self interest to unfeeling hard cash and where all social life is governed by one imperative: conscienceless free trade a life of open unashamed direct and brutal exploitation. Reading him on the function of money as the universal yet alienated capacity of human kind; on commodity fetishism and the mystified nature of exchange value; on the massive structural dislocations of capitalist society and the yawning inequities that it produces one is simply persuaded of the massive prescience and truth of these analysis.

(more to follow)


Saturday, December 18, 2010

enlightenment

enlightenment











Thursday, December 09, 2010

Tuesday, December 07, 2010

Notes to All Members

1. Thursday Dec 9th Hike CANCELLED

2. Net Tuesday -Sifton Bog. Park at Loblaws, Oxford and walk to Bog.


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Friday, December 03, 2010

Life of Brian

Life of Brian

The Buttered Cat Thought Experiment


Thought experiments

Some people jokingly maintain that the experiment will produce an anti-gravity effect. They propose that as the cat falls towards the ground, it will slow down and start to rotate, eventually reaching a steady state of hovering a short distance from the ground while rotating at high speed as both the buttered side of the toast and the cat’s feet attempt to land on the ground.[3] In June 2003, Kimberly Miner won a Student Academy Award for her film Perpetual Motion.[4] Miner based her film on a paper written by a high-school friend that explored the potential implications of the cat and buttered toast idea.[5][6]

Philosophical football


  • "Part I: The Miracle Of Birth", comes in two parts. The first involves a woman in labour who is ignored by doctors (Cleese and Chapman), nurses, and eventually the hospital's administrator (Palin) as they drag in more and more elaborate equipment, including their pride and joy, "the machine that goes PING!". The second part, subtitled "The Third World", is set in Yorkshire. It depicts a Roman Catholic couple (Palin and Jones), who can no longer afford to feed their many children. This has arisen because their religion forbids birth control. They are forced to sell their many offspring for medical experiments. The skit culminates in the musical number "Every Sperm is Sacred". This satire on the Catholic Church's attitudes toward contraception and masturbation is followed by one on Protestants: Chapman plays the husband of the household next door, who lectures his wife on their church's tolerance toward having intercourse for fun, although his frustrated spouse (Idle) points out that they never do.
  • "Part II: Growth And Learning" features a group of public schoolboys attending an Anglican church service (conducted by Cleese), which commences with an nonsensical Old Testament passage followed by a hymn entitled "Oh Lord, Please Don't Burn Us". In a subsequent class, they watch in boredom as their teacher (Cleese) gives a sex education lesson, by physically demonstrating techniques with his wife (Patricia Quinn). Later, there is a rugby match of students vs. masters, the ending of which overtly segues into a battlefield in the middle of a war.
  • In "Part III: Fighting Each Other", a World War I officer (Jones) attempting to rally his men to find cover during an attack is hindered by their insistence on celebrating his birthday, complete with presents and cake. This leads into a lecture on the positive qualities of the military. A blustery army sergeant (Palin) attempts to drill a platoon of men, dismissing each to pursue leisure activities, then complains about today's poor military force. There follows a long sketch set during the 1879 Anglo-Zulu War in Natal, in which a devastating attack by Zulus is dismissed in lieu of a far more pressing matter: One of the officers (Idle) has had his leg bitten off during the night. The military doctor (Chapman) hypothesises that a tiger might be the perpetrator. To recover the leg, a hunting party is formed, which later encounters two suspicious men (Idle and Palin) dressed as two halves of a tiger suit, who attempt to assert their innocence in the matter through a succession of increasingly feeble excuses as to why they are dressed as a tiger.
  • "The Middle Of The Film" is introduced by Gilliam dressed as a black man and Palin in drag. This leads to a surreal sketch called "Find The Fish", ostensibly set in a mansion, but in reality comprises a makeshift living room on the operations floor of the former Battersea Power Station. Here a drag queen (Chapman), a gangly playboy (Jones), and an elephant-headed butler challenge the audience. The elephant-headed butler is an unused creature from Gilliam's earlier film Time Bandits [1]. After this, the fish in the tank briefly return, praising the previous scene and commenting on the film so far.
  • "Part IV: Middle Age" features a middle-aged American couple (Idle as the wife and Palin as the husband) taking a vacation to a bizarre resort, where they are greeted by M'Lady Joeline (Gilliam dressed in drag) and are shown to an authentic medieval dungeon with Hawaiian music. Having nothing to talk about, they order a conversation about the "meaning of life". Being apparently quite intellectually uncurious, they send it back, complaining "this conversation isn't very good."
  • In "Part V: Live Organ Transplants", two paramedics (Chapman and Cleese) arrive at the doorstep of a card-carrying organ donor, Mr. Brown (Gilliam), to claim his liver. Still being alive, he initially refuses. Not to be deterred, the paramedics burst through the door and brutally disembowel him, removing the organ "under condition of death". Mrs. Brown (Jones) goes to make a cup of tea for one of the paramedics, who asks her if she'd consider donating her liver. She is unsure. To convince her, the paramedic introduces her to the man in a pink suit (Idle) who lives inside her refrigerator to sing her a song about the wonders of the universe, resulting in her realising the futility of her existence and agreeing to the request. Meanwhile, at Very Big American Company headquarters, a businessman suggests to the company two philosophies: the meaning of life and that people should wear more hats. This is followed by an attempt by the "Crimson Permanent Assurance" to take over the film proper, which is dealt with by dropping a large skyscraper on the Assurance building.
    Mr. Creosote (Terry Jones), with the maître d' (John Cleese, right) and second waiter (Eric Idle, left)
  • Part VI: The Autumn Years", is also split into two stages. The first is introduced with Eric Idle as a Noel Coward-esque fop performing the song "Isn't It Awfully Nice to Have a Penis?". Following this, Mr. Creosote, an impossibly fat man (Jones), waddles into a decorous restaurant, swears at the French waiter (Cleese), and vomits copiously on himself, the menu, a cleaning woman, and into buckets if available. After making room, he eats an enormous meal, and finally, despite protestations that he is now full, he is persuaded to eat one last "wafer-thin" mint, whereupon he explodes, showering the restaurant with human entrails. Many of the other patrons are so disgusted and horrified that they themselves throw up. After this comes the second stage of this part, "Part VI-B", which contains two philosophical monologues. The first is delivered by a cleaning lady (Jones), entirely in rhyme, culminating with "I feel that life's a game, you sometimes win or lose / And though I may be down right now, at least I don't work for Jews". Her reward for this offensive comment is to have one of the buckets of vomit dumped on her head by the waiter, who then offers an apology for her racism. The second is delivered by Gaston, another French waiter (Idle), who leads the camera on a long walk through the streets to the house where he grew up, and delivers his personal philosophy: "The world is a beautiful place. You must go into it and love everyone. Try to make everyone happy, and bring peace and contentment everywhere you go. And so I became a waiter.... Well, it's not much of a philosophy I know, but well... fuck you! I can live my own life in my own way if I want to! Fuck off!" The scene consists of a long take, starting from the cleaning lady's entire poem, following Gaston downstairs and outside.
  • "Part VII: Death" opens with a funeral setup. After this, we see Arthur Charles Herbert Runcie MacAdam Jarrett (Chapman), a criminal convicted of making gratuitous sexist jokes in a film, killed in a manner of his choosing: He is chased off a cliff by topless women in brightly-coloured G-strings & crash helmets. A brief animation of suicidal leaves falling off a tree leads into "Social Death", in which a group of people at an isolated country house are visited by the Grim Reaper (Cleese), who knocks on the door. Not knowing who he is, the dinner guests spend a lot of time arguing with him before finally being persuaded to shuffle off their mortal coils. Heaven turns out to be the resort from Part IV. When they enter, many of the characters from the film (the Roman Catholic children, the topless women, the liver-less Brown couple, Mr. Creosote, etc.) are already seated, and all are then serenaded by a Tony Bennett-like lounge singer (Chapman) with the monumentally cheesy song "Christmas In Heaven", a parody of Las Vegas-style shows, complete with women wearing plastic breasts in Santa Claus outfits (one of which was the actress Jane Leeves in one of her first roles). The gleaming-toothed lounge singer tells all those present that in Heaven, it's Christmas every day, forever. (According to the DVD commentary, the women were supposed to be topless, but costume designer James Acheson stated that fake, uniformly-sized breasts would be funnier than the disparately-sized natural breasts of the dancers, and the women would be more at ease wearing the topless costumes.)
  • "The End Of The Film", in which the female character from "The Middle of the Film" (Palin) concludes the matter by reading out the "meaning of life" (introducing it by saying "It's nothing very special"):

    Try and be nice to people, avoid eating fat, read a good book every now and then, get some walking in, and try and live together in peace and harmony with people of all creeds and nations.

    She finishes by promising gratuitous pictures of penises "to annoy the censors and to hopefully spark some sort of controversy" before ranting about how no one wants "family entertainment", and just want to see gratuitous violence.
  • Finally, the film ends with part of the title sequence from Flying Circus (itself rife with the aforementioned gratuitous phallic imagery) - together with a portion of the theme music, John Philip Sousa's Liberty Bell, playing on a TV set drifting off into space, before the "Galaxy Song" plays over the end credits, ending in a letter of thanks to all the fish who participated in the film, and a wish for peace and a better future for fish everywhere.

Monday, November 29, 2010

Friday, November 26, 2010

Sunday, November 21, 2010

NIHILISM

Nihilism is the belief that all values are baseless and that nothing can be known or communicated. It is often associated with extreme pessimism and a radical skepticism that condemns existence. A true nihilist would believe in nothing, have no loyalties, and no purpose other than, perhaps, an(impulse to destroy.? )While few philosophers would claim to be nihilists, nihilism is most often associated with Friedrich Nietzsche who argued that its corrosive effects would eventually destroy all moral, religious, and metaphysical convictions and precipitate the greatest crisis in human history. In the 20th century, nihilistic themesepistemological failure, value destruction, and cosmic purposelessness–have preoccupied artists, social critics, and philosophers. Mid-century, for example, the existentialists helped popularize tenets of nihilism in their attempts to blunt its destructive potential. By the end of the century, existential despair as a response to nihilism gave way to an attitude of indifference, often associated with antifoundationalism.

G.W.F. Hegel is considered to be one of the early anti-foundationalists

Anti-foundationalism (also called nonfoundationalism) as the name implies, is a term applied to any philosophy which rejects a foundationalist approach, i.e. an anti-foundationalist is one who does not believe that there is some fundamental belief or principle which is the basic ground or foundation of inquiry and knowledge. Anti-foundationalists use logical or historical/genealogical attacks on foundational concepts (see especially Nietzsche and Foucault), often coupled with alternative methods for justifying and forwarding intellectual inquiry, such as the pragmatic subordination of knowledge to practical action.

Anti-foundationalists

Anti-foundationalists oppose metaphysical methods. Moral and ethical anti-foundationalists are often criticized for moral relativism, but anti-foundationalists often dispute this charge, offering alternative methods of moral thought that they claim do not require foundations.

1. Origins

Nihilism” comes from the Latin nihil, or nothing, which means not anything, that which does not exist. It appears in the verb “annihilate,” meaning to bring to nothing, to destroy completely. Early in the nineteenth century, Friedrich Jacobi used the word to negatively characterize transcendental idealism. It only became popularized, however, after its appearance in Ivan Turgenevs novel Fathers and Sons (1862) where he used “nihilism” to describe the crude scientism espoused by his character Barazov who preaches a creed of total negation.

In Russia, nihilism became identified with a loosely organized revolutionary movement (C.1860-1917) that rejected the authority of the state, church, and family. In his early writing, anarchist leader Mikhail Bakunin (1814-1876) composed the notorious entreaty still identified with nihilism: “Let us put our trust in the eternal spirit which destroys and annihilates only because it is the unsearchable and eternally creative source of all life–the passion for destruction is also a creative passion!” (Reaction in Germany, 1842). The movement advocated a social arrangement based on rationalism and materialism as the sole source of knowledge and individual freedom as the highest goal. By rejecting man’s spiritual essence in favor of a solely materialistic one, nihilists denounced God and religious authority as antithetical to freedom. The movement eventually deteriorated into an ethos of subversion, destruction, and anarchy, and by the late 1870s, a nihilist was anyone associated with clandestine political groups advocating terrorism and assassination.

The earliest philosophical positions associated with what could be characterized as a nihilistic outlook are those of the Skeptics. Because they denied the possibility of certainty, Skeptics could denounce traditional truths as unjustifiable opinions. When Demosthenes (c.371-322 BC), for example, observes that “What he wished to believe, that is what each man believes” (Olynthiac), he posits the relational nature of knowledge. Extreme skepticism which denies the possibility of knowledge and truth; icism, then, is linked to epistemological nihilism this form of nihilism is currently identified with postmodern antifoundationalism. Nihilism, in fact, can be understood in several different ways. Political Nihilism, as noted, is associated with the belief that the destruction of all existing political, social, and religious order is a prerequisite for any future improvement. Ethical nihilism or moral nihilism rejects the possibility of absolute moral or ethical values. Instead, good and evil are nebulous, and values addressing such are the product of nothing more than social and emotive pressures. Existential nihilism is the notion that life has no intrinsic meaning or value, and it is, no doubt, the most commonly used and understood sense of the word today.

Max Stirners (1806-1856) attacks on systematic philosophy, his denial of absolutes, and his rejection of abstract concepts of any kind often places him among the first philosophical nihilists. For Sterner, achieving individual freedom is the only law; and the state, which necessarily imperils freedom, must be destroyed. Even beyond the oppression of the state, though, are the constraints imposed by others because their very existence is an obstacle compromising individual freedom. Thus Sterner argues that existence is an endless “war of each against all” (The Ego and its Own, trans. 1907).

2. Friedrich Nietzsche and Nihilism

Among philosophers, Friedrich Nietzsche is most often associated with nihilism. For Nietzsche, there is no objective order or structure in the world except what we give it. Penetrating the façades buttressing convictions, the nihilist discovers that all values are baseless and that reason is impotent.Every belief, every considering something-true,” Nietzsche writes, “is necessarily false because there is simply no true world” (Will to Power [notes from 1883-1888]). For him, nihilism requires a radical repudiation of all imposed values and meaning: “Nihilism is . . . not only the belief that everything deserves to perish; but one actually puts one’s shoulder to the plough; one destroys” (Will to Power).

The caustic strength of nihilism is absolute, Nietzsche argues, and under its withering scrutiny “the highest values devalue themselves. The aim is lacking, and ‘Why’ finds no answer” (Will to Power). Inevitably, nihilism will expose all cherished beliefs and sacrosanct truths as symptoms of a defective Western mythos. This collapse of meaning, relevance, and purpose will be the most destructive force in history, constituting a total assault on reality and nothing less than the greatest crisis of humanity:

What I relate is the history of the next two centuries. I describe what is coming, what can no longer come differently: the advent of nihilism. . . . For some time now our whole European culture has been moving as toward a catastrophe, with a tortured tension that is growing from decade to decade: restlessly, violently, headlong, like a river that wants to reach the end. . . . (Will to Power)Since Nietzsche's compelling critique, nihilistic themes–epistemological failure, value destruction, and cosmic purposelessness–have preoccupied artists, social critics, and philosophers. Convinced that Nietzsche's analysis was accurate, for example, Oswald Spengler in The Decline of the West (1926) studied several cultures to confirm that patterns of nihilism were indeed a conspicuous feature of collapsing civilizations. In each of the failed cultures he examines, Spengler noticed that centuries-old religious, artistic, and political traditions were weakened and finally toppled by the insidious workings of several distinct nihilistic postures: the Faustian nihilist “shatters the ideals”; the Apollonian nihilist “watches them crumble before his eyes”; and the Indian nihilist “withdraws from their presence into himself.” Withdrawal, for instance, often identified with the negation of reality and resignation advocated by Eastern religions, is in the West associated with various versions of Epicureanism and stoicism. In his study, Spengler concludes that Western civilization is already in the advanced stages of decay with all three forms of nihilism working to undermine epistemological authority and ontological grounding.

In 1927, Martin Heidegger, to cite another example, observed that nihilism in various and hidden forms was already “the normal state of man” (The Question of Being). Other philosophers’ predictions about nihilism’s impact have been dire. Outlining the symptoms of nihilism in the 20th century, Helmut Thielicke wrote that “Nihilism literally has only one truth to declare, namely, that ultimately Nothingness prevails and the world is meaningless” (Nihilism: Its Origin and Nature, with a Christian Answer, 1969). From the nihilist’s perspective, one can conclude that life is completely amoral, a conclusion, Thielicke believes, that motivates such monstrosities as the Nazi reign of terror. Gloomy predictions of nihilism’s impact are also charted in Eugene Rose’s Nihilism: The Root of the Revolution of the Modern Age (1994). If nihilism proves victorious–and it’s well on its way, he argues–our world will become “a cold, inhuman world” where “nothingness, incoherence, and absurdity” will triumph.

3. Existential Nihilism

While nihilism is often discussed in terms of extreme skepticism and relativism, for most of the 20th century it has been associated with the belief that life is meaningless. Existential nihilism begins with the notion that the world is without meaning or purpose. Given this circumstance, existence itself–all action, suffering, and feeling–is ultimately senseless and empty.

In The Dark Side: Thoughts on the Futility of Life (1994), Alan Pratt demonstrates that existential nihilism, in one form or another, has been a part of the Western intellectual tradition from the beginning. The Skeptic Empedocles’ observation that “the life of mortals is so mean a thing as to be virtually un-life,” for instance, embodies the same kind of extreme pessimism associated with existential nihilism. In antiquity, such profound pessimism may have reached its apex with Hegesis. Because miseries vastly outnumber pleasures, happiness is impossible, the philosopher argues, and subsequently advocates suicide. Centuries later during the Renaissance, William Shakespeare eloquently summarized the existential nihilist’s perspective when, in this famous passage near the end of Macbeth, he has Macbeth pour out his disgust for life:

Out, out, brief candle!

Life’s but a walking shadow, a poor player

That struts and frets his hour upon the stage

And then is heard no more; it is a tale

Told by an idiot, full of sound and fury,

Signifying nothing.

In the twentieth century, it’s the atheistic existentialist movement, popularized in France in the 1940s and 50s, that is responsible for the currency of existential nihilism in the popular consciousness. Jean-Paul Sartres (1905-1980) defining preposition for the movement, “existence precedes essence,” rules out any ground or foundation for establishing an essential self or a human nature. When we abandon illusions, life is revealed as nothing; and for the existentialists, nothingness is the source of not only absolute freedom but also existential horror and emotional anguish. Nothingness reveals each individual as an isolated being “thrown” into an alien and unresponsive universe, barred forever from knowing why yet required to invent meaning. It’s a situation that’s nothing short of absurd. Writing from the enlightened perspective of the absurd, Albert Camus (1913-1960) observed that Sisyphus’ plight, condemned to eternal, useless struggle, was a superb metaphor for human existence (The Myth of Sisyphus, 1942).

The common thread in the literature of the existentialists is coping with the emotional anguish arising from our confrontation with nothingness, and they expended great energy responding to the question of whether surviving it was possible. Their answer was a qualified “Yes,” advocating a formula of passionate commitment and impassive stoicism. In retrospect, it was an anecdote tinged with desperation because in an absurd world there are absolutely no guidelines, and any course of action is problematic. Passionate commitment, be it to conquest, creation, or whatever, is itself meaningless. Enter nihilism.

Camus, like the other existentialists, was convinced that nihilism was the most vexing problem of the twentieth century. Although he argues passionately that individuals could endure its corrosive effects, his most famous works betray the extraordinary difficulty he faced building a convincing case. In The Stranger (1942), for example, Meursault has rejected the existential suppositions on which the uninitiated and weak rely. Just moments before his execution for a gratuitous murder, he discovers that life alone is reason enough for living, a raison d être, however, that in context seems scarcely convincing. In Caligula (1944), the mad emperor tries to escape the human predicament by dehumanizing himself with acts of senseless violence, fails, and surreptitiously arranges his own assassination. The Plague (1947) shows the futility of doing one’s best in an absurd world. And in his last novel, the short and sardonic, The Fall (1956), Camus posits that everyone has bloody hands because we are all responsible for making a sorry state worse by our inane action and inaction alike. In these works and other works by the existentialists, one is often left with the impression that living authentically with the meaninglessness of life is impossible.

Camus was fully aware of the pitfalls of defining existence without meaning, and in his philosophical essay The Rebel (1951) he faces the problem of nihilism head-on. In it, he describes at length how metaphysical collapse often ends in total negation and the victory of nihilism, characterized by profound hatred, pathological destruction, and incalculable violence and death.

4. Antifoundationalism and Nihilism

By the late 20th century, “nihilism” had assumed two different castes. In one form, “nihilist” is used to characterize the postmodern man, a dehumanized conformist, alienated, indifferent, and baffled, directing psychological energy into hedonistic narcissism or into a deep resentment that often explodes in violence. This perspective is derived from the existentialists’ reflections on nihilism stripped of any hopeful expectations, leaving only the experience of sickness, decay, and disintegration.

In his study of meaninglessness, Donald Crosby writes that the source of modern nihilism paradoxically stems from a commitment to honest intellectual openness. “Once set in motion, the process of questioning could come to but one end, the erosion of conviction and certitude and collapse into despair” (The Specter of the Absurd, 1988). When sincere inquiry is extended to moral convictions and social consensus, it can prove deadly, Crosby continues, promoting forces that ultimately destroy civilizations. Michael Novaks recently revised The Experience of Nothingness (1968, 1998) tells a similar story. Both studies are responses to the existentialists’ gloomy findings from earlier in the century. And both optimistically discuss ways out of the abyss by focusing of the positive implications nothingness reveals, such as liberty, freedom, and creative possibilities. Novak, for example, describes how since WWII we have been working to “climb out of nihilism” on the way to building a new civilization.

In contrast to the efforts to overcome nihilism noted above is the uniquely postmodern response associated with the current antifoundationalists. The philosophical, ethical, and intellectual crisis of nihilism that has tormented modern philosophers for over a century has given way to mild annoyance or, more interestingly, an upbeat acceptance of meaninglessness.

French philosopher Jean-Francois Lyotard characterizes postmodernism as an “incredulity toward metanarratives,” those all-embracing foundations that we have relied on to make sense of the world. This extreme skepticism has undermined intellectual and moral hierarchies and made “truth” claims, transcendental or transcultural, problematic. Postmodern antifoundationalists, paradoxically grounded in relativism, dismiss knowledge as relational and “truth” as transitory, genuine only until something more palatable replaces it (reminiscent of William James’ notion of “cash value”). The critic Jacques Derrida, for example, asserts that one can never be sure that what one knows corresponds with what is. Since human beings participate in only an infinitesimal part of the whole, they are unable to grasp anything with certainty, and absolutes are merely “fictional forms.”

American antifoundationalist Richard Rorty makes a similar point: “Nothing grounds our practices, nothing legitimizes them, nothing shows them to be in touch with the way things are” (“From Logic to Language to Play,” 1986). This epistemological cul-de-sac, Rorty concludes, leads inevitably to nihilism. “Faced with the nonhuman, the non linguistic, we no longer have the ability to overcome contingency and pain by appropriation and transformation, but only the ability to recognize contingency and pain” (Contingency, Irony, and Solidarity, 1989). In contrast to Nietzsche s fears and the angst of the existentialists, nihilism becomes for the antifoundationalists just another aspect of our contemporary milieu, one best endured with sang-froid.

In The Banalization of Nihilism (1992) Karen Carr discusses the antifoundationalist response to nihilism. Although it still inflames a paralyzing relativism and subverts critical tools, “cheerful nihilism” carries the day, she notes, distinguished by an easy-going acceptance of meaninglessness. Such a development, Carr concludes, is alarming. If we accept that all perspectives are equally non-binding, then intellectual or moral arrogance will determine which perspective has precedence. Worse still, the banalization of nihilism creates an environment where ideas can be imposed forcibly with little resistance, raw power alone determining intellectual and moral hierarchies. It’s a conclusion that dovetails nicely with Nietzsche s, who pointed out that all interpretations of the world are simply manifestations of will-to-power.

5. Conclusion

It has been over a century now since Nietzsche explored nihilism and its implications for civilization. As he predicted, nihilism’s impact on the culture and values of the 20th century has been pervasive, its apocalyptic tenor spawning a mood of gloom and a good deal of anxiety, anger, and terror. Interestingly, Nietzsche himself, a radical skeptic preoccupied with language, knowledge, and truth, anticipated many of the themes of post modernity. It’s helpful to note, then, that he believed we could–at a terrible price–eventually work through nihilism. If we survived the process of destroying all interpretations of the world, we could then perhaps discover the correct course for humankind:

I praise, I do not reproach, [nihilism's] arrival. I believe it is one of the greatest crises, a moment of the deepest self-reflection of humanity. Whether man recovers from it, whether he becomes master of this crisis, is a question of his strength. It is possible. . . .