NihilismAbsurdism.Blogspot.com

"The Absurd" refers to the conflict between the human tendency to seek inherent meaning in life and the human inability to find any.

Nihilism : from the Latin nihil, nothing) is the philosophical doctrine suggesting the negation of one or more putatively meaningful aspects of life

Wednesday, December 22, 2010

Infinitely Demanding

Infinitely demanding

Absolute knowledge or a direct ontology (is the philosophical study of the nature of being, existence or reality as such, as well as the basic categories of being and their relations) of things as they are is decisively the ken of the fallible finite creatures like us. Our culture is endlessly beset with Promethean myths of the overcoming of the human condition whether through fantasy or AI contemporary delusions bout cloning, robotics and generic manipulation or simply through cryogenics and cosmetic surgery.

Stoicism founded by Zeno and was concerned by the relationship between cosmic determinism and human freedom. They presented their philosophy as a way of life, not by what a person said but how he behaved. The stoics provided a unified account of the world consisting if logic non dualistic physics and naturalistic ethics. Ethics was the main focus of human knowledge. Stoicism teaches self control and fortitude as a means of overcoming destructive emotions.

Nihilism is the breakdown of the order of meaning where all that we previously imagined as a divine has become meaningless. Nihilism is this declaration of meaningless a sense of indifference, directionless or at worst despair that can flood into all areas of life. The philosophical task set by Nietzsche and followed by many in the Continental tradition is how to respond to nihilism or better resist it, The basis of meaning has become meaningless. Our devalued values require what Nietzsche calls re-evaluation. The difficulty here consists in thinking through the question of meaning without bewitching ourselves with new and exotic forms of meaning with imported brands of existential balm. Politically there is something lacking in this violently unjust world and the politics of fear. What might be justice in a violently unjust world? This question of justice provokes the need for an ethic or normative principle that might enable us to face down the present political situation. We need an offer of a theory of ethical experience and subjectivity that will lead to an infinity demanding ethics of commitment and politics of resistance.

Nihilism- passive –looks at the world from a certain distance and finds it meaningless. He is scornful of the pretensions of liberal humanism with its metaphysical faith in progress improvement and the perfectibility of humankind, beliefs that he claims are held with the same dogmatic assurance as Christianity was held in Europe until the late 18th C. The passive nihilist concludes that we are simply animals and rather nasty aggressive primates at that what we might call homo rapines .Rather than acting in the world and trying to transform it the passive nihilist simply focuses on himself and his particular pleasures and projects for perfecting himself whether through discovering the inner child manipulating pyramids writing pessimistic sounding literary essays taking up yoga bird watching botany was the case with the aged Rousseau. In the face of increasing brutality of reality the passive nihilist tries to achieve a mystical stillness calm contemplation: European Buddhism. In a world that is all to rapidly blowing itself to bits the passive nihilist closed his eyes and makes himself into an island. The active nihilist also finds everything meaningless but instead of sitting back and contemplating he tries to destroy this world and bring another into being.

The history of active nihilism is fascinating and a consideration of it would take us back into various utopian radical political and even terrorist groups. We might begin Fourier’s utopian philansteries of free love and leisure before moving on to late 19th century anarchism in Russia and elsewhere through the Promethean activism of Lenin’s Bolshevism, Marinetti’s Futurism , Maoism, DeBord’s situationism, the Red Army Fraction in Germany , the Red Brigades in Italy the Angry Brigade in England, the Weather Underground in the U.S.A without forgetting the sweet naivety of the Symbionese Liberation army. At present the quintessence of active nihilism is Al-Qaeda, this covert and utterly postmodern rhizomatic quasi-corporation outside of any state control. Al-Qaeda uses the technological resources of capitalist globalization – elaborate and coded forms of communication the speed and fluidity of financial transactions and obviously transportation – against that globalization.

The sad truth is that this aim they have has been hugely successful. The legitimating logic of al-Qaeda is that the modern world the world of capitalism, liberal democracy and secular humanism is meaningless and that the only way to remake meaning is through the acts of spectacular destruction, acts which it is no exaggeration to say have redefined the contemporary political situation and made the pre 911 world seem remote and oddly quaint. Although they are opposed both active and passive nihilism are Siamese twins of sorts as they both agree on the meaninglessness of reality or rather its essential unreality which inspires either passive withdrawal or violent destruction.

We have to think through and think out of the situation in which we find ourselves. We have to resist and reject the temptation of nihilism and face up to to the hard reality of the world. The violent injustice here and around the world ; it shows growing social and economic inequities here and around the world ; it shows growing that the difference between what goes on here and around the world is increasingly fatuous. It shows the population of the well fed west governed by fear of outsiders whose current names are ‘terrorists’ ,‘immigrant’, ‘refugee’ or asylum seeker. It shows populations turning toward some reactionary and xenophobic conception of their purported identity. Xenophobia is an irrational, deep-rooted fear of or antipathy towards foreigners. It shows that because of an excessive diet of sleaze, deception, complacency, and corruption liberal democracy is not in the best of health. In total it shows massive political disappointment.

The first truth of Marx’s work namely the analysis of capitalism an analysis that is truly prophetic where the economic form of life that began in some remote rain soaked corner of north-western Europe, in Holland, England and some of its former colonies has through the process that we all too easily call globalization spread its movement of expropriation all across the world. In the opening pages of the Manifesto of the Communist Party Marx and Engels write of the revolutionary role of the bourgeoisie. The bourgeoisie are the outcome of the revolutions of the 1600’s in England, the Dutch Republic and the somewhat retarded 1789 revolution in France, and they play a revolutionary role in history. In stripping the veneer of naturalness from all social relations including family relations and the formerly prized professions and hierarchies of feudal society in making the experience of labour unbearable and indeed crippling through industrial organization the bourgeoisie reveal the contingency of social life and what we might call the historicity: the possibility that the particular set of social arrangements through which we are living are the outcome of transformative social process and are therefore capable of being transformed. Through the extraordinary energy that they expended on the overthrow of feudalism in its various forms the bourgeoisie unwittingly reveals the political character of social life. In reducing those social relations to essentially monetary relations, in creating a world market based on the abstract universality of money and the experience of self estrangement and alienation the bourgeoisie is the condition of possibility for anti-bourgeoisie political struggles.

“Where it has come to power the bourgeoisie has obliterated all relations that were feudal, patriarchal, idyllic." It has pitilessly severed the motley bonds of feudalism that joined men to their natural superiors and has left intact no other bond between one man and another than the naked self-interest, unfeeling ‘hard’ cash. It has resolved personal worth into exchange value, ad in place of countless attested and won freedoms it has established a single freedom –conscienceless free trade. In a word for exploitation cloaked by religious and political illusions it has substituted unashamed direct brutal exploitation. Ours is a universe where human relations have been reduced to naked self interest to unfeeling hard cash and where all social life is governed by one imperative: conscienceless free trade a life of open unashamed direct and brutal exploitation. Reading him on the function of money as the universal yet alienated capacity of human kind; on commodity fetishism and the mystified nature of exchange value; on the massive structural dislocations of capitalist society and the yawning inequities that it produces one is simply persuaded of the massive prescience and truth of these analysis.

(more to follow)


Saturday, December 18, 2010

enlightenment

enlightenment











Thursday, December 09, 2010

Tuesday, December 07, 2010

Notes to All Members

1. Thursday Dec 9th Hike CANCELLED

2. Net Tuesday -Sifton Bog. Park at Loblaws, Oxford and walk to Bog.


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Friday, December 03, 2010

Life of Brian

Life of Brian

The Buttered Cat Thought Experiment


Thought experiments

Some people jokingly maintain that the experiment will produce an anti-gravity effect. They propose that as the cat falls towards the ground, it will slow down and start to rotate, eventually reaching a steady state of hovering a short distance from the ground while rotating at high speed as both the buttered side of the toast and the cat’s feet attempt to land on the ground.[3] In June 2003, Kimberly Miner won a Student Academy Award for her film Perpetual Motion.[4] Miner based her film on a paper written by a high-school friend that explored the potential implications of the cat and buttered toast idea.[5][6]

Philosophical football


  • "Part I: The Miracle Of Birth", comes in two parts. The first involves a woman in labour who is ignored by doctors (Cleese and Chapman), nurses, and eventually the hospital's administrator (Palin) as they drag in more and more elaborate equipment, including their pride and joy, "the machine that goes PING!". The second part, subtitled "The Third World", is set in Yorkshire. It depicts a Roman Catholic couple (Palin and Jones), who can no longer afford to feed their many children. This has arisen because their religion forbids birth control. They are forced to sell their many offspring for medical experiments. The skit culminates in the musical number "Every Sperm is Sacred". This satire on the Catholic Church's attitudes toward contraception and masturbation is followed by one on Protestants: Chapman plays the husband of the household next door, who lectures his wife on their church's tolerance toward having intercourse for fun, although his frustrated spouse (Idle) points out that they never do.
  • "Part II: Growth And Learning" features a group of public schoolboys attending an Anglican church service (conducted by Cleese), which commences with an nonsensical Old Testament passage followed by a hymn entitled "Oh Lord, Please Don't Burn Us". In a subsequent class, they watch in boredom as their teacher (Cleese) gives a sex education lesson, by physically demonstrating techniques with his wife (Patricia Quinn). Later, there is a rugby match of students vs. masters, the ending of which overtly segues into a battlefield in the middle of a war.
  • In "Part III: Fighting Each Other", a World War I officer (Jones) attempting to rally his men to find cover during an attack is hindered by their insistence on celebrating his birthday, complete with presents and cake. This leads into a lecture on the positive qualities of the military. A blustery army sergeant (Palin) attempts to drill a platoon of men, dismissing each to pursue leisure activities, then complains about today's poor military force. There follows a long sketch set during the 1879 Anglo-Zulu War in Natal, in which a devastating attack by Zulus is dismissed in lieu of a far more pressing matter: One of the officers (Idle) has had his leg bitten off during the night. The military doctor (Chapman) hypothesises that a tiger might be the perpetrator. To recover the leg, a hunting party is formed, which later encounters two suspicious men (Idle and Palin) dressed as two halves of a tiger suit, who attempt to assert their innocence in the matter through a succession of increasingly feeble excuses as to why they are dressed as a tiger.
  • "The Middle Of The Film" is introduced by Gilliam dressed as a black man and Palin in drag. This leads to a surreal sketch called "Find The Fish", ostensibly set in a mansion, but in reality comprises a makeshift living room on the operations floor of the former Battersea Power Station. Here a drag queen (Chapman), a gangly playboy (Jones), and an elephant-headed butler challenge the audience. The elephant-headed butler is an unused creature from Gilliam's earlier film Time Bandits [1]. After this, the fish in the tank briefly return, praising the previous scene and commenting on the film so far.
  • "Part IV: Middle Age" features a middle-aged American couple (Idle as the wife and Palin as the husband) taking a vacation to a bizarre resort, where they are greeted by M'Lady Joeline (Gilliam dressed in drag) and are shown to an authentic medieval dungeon with Hawaiian music. Having nothing to talk about, they order a conversation about the "meaning of life". Being apparently quite intellectually uncurious, they send it back, complaining "this conversation isn't very good."
  • In "Part V: Live Organ Transplants", two paramedics (Chapman and Cleese) arrive at the doorstep of a card-carrying organ donor, Mr. Brown (Gilliam), to claim his liver. Still being alive, he initially refuses. Not to be deterred, the paramedics burst through the door and brutally disembowel him, removing the organ "under condition of death". Mrs. Brown (Jones) goes to make a cup of tea for one of the paramedics, who asks her if she'd consider donating her liver. She is unsure. To convince her, the paramedic introduces her to the man in a pink suit (Idle) who lives inside her refrigerator to sing her a song about the wonders of the universe, resulting in her realising the futility of her existence and agreeing to the request. Meanwhile, at Very Big American Company headquarters, a businessman suggests to the company two philosophies: the meaning of life and that people should wear more hats. This is followed by an attempt by the "Crimson Permanent Assurance" to take over the film proper, which is dealt with by dropping a large skyscraper on the Assurance building.
    Mr. Creosote (Terry Jones), with the maître d' (John Cleese, right) and second waiter (Eric Idle, left)
  • Part VI: The Autumn Years", is also split into two stages. The first is introduced with Eric Idle as a Noel Coward-esque fop performing the song "Isn't It Awfully Nice to Have a Penis?". Following this, Mr. Creosote, an impossibly fat man (Jones), waddles into a decorous restaurant, swears at the French waiter (Cleese), and vomits copiously on himself, the menu, a cleaning woman, and into buckets if available. After making room, he eats an enormous meal, and finally, despite protestations that he is now full, he is persuaded to eat one last "wafer-thin" mint, whereupon he explodes, showering the restaurant with human entrails. Many of the other patrons are so disgusted and horrified that they themselves throw up. After this comes the second stage of this part, "Part VI-B", which contains two philosophical monologues. The first is delivered by a cleaning lady (Jones), entirely in rhyme, culminating with "I feel that life's a game, you sometimes win or lose / And though I may be down right now, at least I don't work for Jews". Her reward for this offensive comment is to have one of the buckets of vomit dumped on her head by the waiter, who then offers an apology for her racism. The second is delivered by Gaston, another French waiter (Idle), who leads the camera on a long walk through the streets to the house where he grew up, and delivers his personal philosophy: "The world is a beautiful place. You must go into it and love everyone. Try to make everyone happy, and bring peace and contentment everywhere you go. And so I became a waiter.... Well, it's not much of a philosophy I know, but well... fuck you! I can live my own life in my own way if I want to! Fuck off!" The scene consists of a long take, starting from the cleaning lady's entire poem, following Gaston downstairs and outside.
  • "Part VII: Death" opens with a funeral setup. After this, we see Arthur Charles Herbert Runcie MacAdam Jarrett (Chapman), a criminal convicted of making gratuitous sexist jokes in a film, killed in a manner of his choosing: He is chased off a cliff by topless women in brightly-coloured G-strings & crash helmets. A brief animation of suicidal leaves falling off a tree leads into "Social Death", in which a group of people at an isolated country house are visited by the Grim Reaper (Cleese), who knocks on the door. Not knowing who he is, the dinner guests spend a lot of time arguing with him before finally being persuaded to shuffle off their mortal coils. Heaven turns out to be the resort from Part IV. When they enter, many of the characters from the film (the Roman Catholic children, the topless women, the liver-less Brown couple, Mr. Creosote, etc.) are already seated, and all are then serenaded by a Tony Bennett-like lounge singer (Chapman) with the monumentally cheesy song "Christmas In Heaven", a parody of Las Vegas-style shows, complete with women wearing plastic breasts in Santa Claus outfits (one of which was the actress Jane Leeves in one of her first roles). The gleaming-toothed lounge singer tells all those present that in Heaven, it's Christmas every day, forever. (According to the DVD commentary, the women were supposed to be topless, but costume designer James Acheson stated that fake, uniformly-sized breasts would be funnier than the disparately-sized natural breasts of the dancers, and the women would be more at ease wearing the topless costumes.)
  • "The End Of The Film", in which the female character from "The Middle of the Film" (Palin) concludes the matter by reading out the "meaning of life" (introducing it by saying "It's nothing very special"):

    Try and be nice to people, avoid eating fat, read a good book every now and then, get some walking in, and try and live together in peace and harmony with people of all creeds and nations.

    She finishes by promising gratuitous pictures of penises "to annoy the censors and to hopefully spark some sort of controversy" before ranting about how no one wants "family entertainment", and just want to see gratuitous violence.
  • Finally, the film ends with part of the title sequence from Flying Circus (itself rife with the aforementioned gratuitous phallic imagery) - together with a portion of the theme music, John Philip Sousa's Liberty Bell, playing on a TV set drifting off into space, before the "Galaxy Song" plays over the end credits, ending in a letter of thanks to all the fish who participated in the film, and a wish for peace and a better future for fish everywhere.